![]() Through her portraits Lee discusses and focuses on the shifting nature of binary and non-binary definitions of gender and identity and through her choice of sitters focuses on the people and the moments in our recent history that have marked milestone changes in the perception of gender that have changed and continue to change society. In both rooms of this ground-breaking show, Sadie Lee continues her investigation into ways of presenting gender, and the constructed and performative nature of costume and stance through both dressing up and dressing down. Sandy Powell was a very close friend of Derek Jarman, for whom blue became symbolic and important. The work by Lee was a painting called La Butch En Chemise and is notable for its shocking blue background. ![]() They met when Powell bought a painting by Lee in the mid-90’s, which referenced Picasso’s blue period painting La Femme En Chemise. Bowie’s / Powell’s suits also reference the blue satin of Gainsborough’s Blue Boy.īlue is a significant colour in the relationship between Sadie Lee and Sandy Powell. Her suit is an exact copy of the Freddie Buretti satin suit that Bowie wore in the video for Life On Mars and Powell’s hair is dyed a similar shade of orange to Bowie’s, underlining her connection to Bowie’s style from this era. Sandy Powell wears blue, and blue mostly refers to the suit that Sandy is wearing (and not wearing) in the portraits. As a collection of works, the artist refers to the completed series as ‘Sadie Does Sandy’.Īlso on display is a mannequin dressed in Sandy Powell’s shirt, tie and suit, which feature in the paintings. The pose that Sandy Powell adopts is the classic stance of three quarter profile with hand on hip, similar to the promotional image of Tilda Swinton in Sally Potter’s Orlando, for which she designed the costumes. As a result here the costume designer becomes the vehicle for the costume itself and a metaphor for change and transformation. Sadie Lee is aware of these poses resembling old-fashioned paper dress dolls where you can change the outfits with fold-over tabs. The reverse pose suggests the pictorial trope of the ‘Rückenfigur’, particularly the Caspar David Friedrich painting ‘Wanderer Above The Sea Of Fog’, which this pose closely resembles. The paintings are displayed in pairs, representing the front and back of the same pose, which mirror the style of costume designs. Lee has made six new portraits of Academy Award-winning costume designer Sandy Powell. In this show, Lee looks at gender through this lens and finds a contemporary vision of Venus that explores both gender and identity. For her first solo show at New Art Projects British Painter Sadie Lee has taken the title from Shocking Blue, a Dutch-based Rock / Pop band from the late 60’s/early ’70s whose biggest hit was Venus.
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